6th. All India Music Conference 1990-2023 [Re-Mix Mastered Version Series Vol. 1], by Lāszlō Hortobāgyi

6th. All India Music Conference 1990-2023 [Re-Mix Mastered Version Series Vol. 1]

by Lāszlō Hortobāgyi

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vox_ritualis A pivotal exemplification of the cross-culture Art of the Hungarian master. All tracks here are masterpieces but I have a predilection for Bhāvachakra which evokes a convent of monks, muttering a bass psalmody in order to open a secret torchlit passage under their temple, wherein lies a dusty book of arcane wisdom. The composer seems to already own this hypothetical book, thus transmuting his vibrant ideas into alchemical music.
PS I wonder why "Foris-Intus" is only on the CD version & not here. Favorite track: Bhāvachakra [Russian Ang].

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1.	Dharmābit [Nāyatma Ilektrik Vādya-Vrinda of Hathras,1986] 06:10	buy track
2.	Akbārique [Clavicytherium of Tantkār Ang in Indorean Merukhand, Rūpaka] 08:00	buy track
3.	Fugamelānrāga [Banjar vādak] 10:13	buy track
4.	Bhāvachakra [Russian Ang] 08:55	buy track
5.	Tāranganjanī [Mahāgon Cantorum of Kirānā, Hāmid Lal of Naubatkhānī ] 04:40	buy track
6.	Mahāankh [Guo Live at Prayāg,1985 ] 07:20	buy track

about

6th. All India Music Conference 1990-2023
(Lāszlō Hortobāgyi-Hortator,1990)

Strangely, there are people who are not bothered that there is no exist 6th. All India Music Conference... - nor 7th. All India Music Conference...

I, for one, was very bothered. Why ?

Try to imagine you are a music historian from 100 years later and you are dealing with music from the 20th.- 21st. centuries. The statistics of music history of these centuries draw a bell curve where the Darwin's law of cultural 'absolut fitness' [ {n(t+1)=Wn(t) } ] makes the daily practice of the most valuable musical anthropologies disappear.

Despite the xenolith nature of scientific music research, the superficial practices of the contemporary music industry, which, in addition to chemicals, serve to pulse excitation the body's orifices, teach us to see man and his various cultures as a source of profit and personal enrichment.

The source is thus destroyed by its exploitation.

Meme-colonialism is happening. In a way that makes both extinct languages or bird species and unrepeatable traditional musical ways of thinking inaccessible to the future. Somehow nobody in the music world has seriously noticed this for the last 80 years.
Here, at the end of the process, imagine that you are living in a very different 21st century, where does not reign in the realised 'World System's Heaven'.

Imagine a world where the highly structured system of European polyphonic music is combined with the Asian polyrhythmic technique of musical time, where the compositions of the Hindustani Gāyaki Ang Sitār are performed on polyphonic harpsichord accompanied by psychedelic bass, where orthodox Slavic sacred chant copies the structure of the classical Indian Dhrūpad style, or where repetitive gamelan music follows the construction of Indian instrumental rāga-s (Ālāp-Jhōr-Jhālla), etc.

Well, this can be heard on Earth for the last time here, in the modest examples of the non-existent 6th. A.I.M.C. collection.

Please listen an autotelic way.

(Lāszlō Hortobāgyi-Hortator,1990)

Gāyan Uttejak Studio, Budapest

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released August 4, 2023

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